Jamie Haleva: “Social Status in Dickens, Stendhal, and Mayhew” (dir. A. Parker)
Thea Popko: “Perverse Texts: Visuality and Subjectivity in Henry James ’The Turn of the Screw and Witold Gombrowicz’ Pornografia” (dir. N. Behrmann)
Matt Reper: “There’s No More: The Comedy of Samuel Beckett’s Endgame” (dir. N. Rennie)
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